Performance by Valentine Cotte around a large white porcelain teapot bristling with spouts, placed on a round table made of stitched gray fabric and surrounded by small white bowls. Two hands hold it by its handle, in a dark room.

Contemporary art

b. 1994

Valentine Cotte

Valentine Cotte

Valentine Cotte

© Emma Werlé

© Emma Werlé

Portrait of Valentine Cotte, whose head and neck are entirely covered by white lace with floral patterns. She wears lace gloves and rests one hand against her throat, against a light background.

© Alicia Gardès

Artist portrait

Born in Toulouse in 1994
Lives and works between Strasbourg and Paris.

Valentine Cotte’s work is a mesh in which sculpture, drawing, printmaking and performance coexist. In it she weaves a personal mythology at the crossroads of the Middle Ages and science fiction, and explores gendered power dynamics between autobiography and fiction.

She works with vulnerable materials: ceramic, porcelain, glass, lace, woven gauze. She diverts armor and chain mail to invert protection and combat, and to imagine works that are fragile, wounded, fallible. Her pieces are like shed skins that must be cared for, in a permanent performance of repair and resilience.

Through reappropriations of History from a queer and feminist perspective, she questions what society does to gendered and minoritized bodies, and offers emancipatory narratives at the margins of norms.

Bonnet de fou en cotte de maille de porcelaine blanche posé sur un support, avec des grelots blancs pendants, sur fond clair.

We call them fool

2025

Dessin à l’encre d’un visage de femme voilé, aux traits finement hachurés, dans un cadre métallique fin.

She Has Her Faces (1)

2025

Dague en cristal translucide aux reflets violets, aux ailes déployées, sur fond noir.

Joan of Arc was a Magical Girl (crystal dagger)

2026

Masque en céramique émaillée miroir, au reflet argenté, couvert de reliefs, accroché au mur.

She Has Her Faces (2)

2026

Œuf en porcelaine blanche parcouru de veines en relief, posé sur un coussin de velours gris-vert, sur fond noir.

À nos veines (To Our Veins)

2023

Bonnet de fou en cotte de maille de porcelaine blanche posé sur un support, avec des grelots blancs pendants, sur fond clair.

We call them fool

2025

Dague en cristal translucide aux reflets violets, aux ailes déployées, sur fond noir.

Joan of Arc was a Magical Girl (crystal dagger)

2026

Œuf en porcelaine blanche parcouru de veines en relief, posé sur un coussin de velours gris-vert, sur fond noir.

À nos veines (To Our Veins)

2023

Dessin à l’encre d’un visage de femme voilé, aux traits finement hachurés, dans un cadre métallique fin.

She Has Her Faces (1)

2025

Masque en céramique émaillée miroir, au reflet argenté, couvert de reliefs, accroché au mur.

She Has Her Faces (2)

2026

Bonnet de fou en cotte de maille de porcelaine blanche posé sur un support, avec des grelots blancs pendants, sur fond clair.

We call them fool

2025

Œuf en porcelaine blanche parcouru de veines en relief, posé sur un coussin de velours gris-vert, sur fond noir.

À nos veines (To Our Veins)

2023

Masque en céramique émaillée miroir, au reflet argenté, couvert de reliefs, accroché au mur.

She Has Her Faces (2)

2026

Dague en cristal translucide aux reflets violets, aux ailes déployées, sur fond noir.

Joan of Arc was a Magical Girl (crystal dagger)

2026

Dessin à l’encre d’un visage de femme voilé, aux traits finement hachurés, dans un cadre métallique fin.

She Has Her Faces (1)

2025

© MMXXVI · CURATED BY SOLTI

Design by Curated by Solti

© MMXXVI · CURATED BY SOLTI

Design by Curated by Solti

© MMXXVI · CURATED BY SOLTI

Design by Curated by Solti